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February 22, 2010

Long View Meets Short Video!

I’ve created a motion sequence from my Long View sketchbook pages for Super Short Video!, an exhibition of 5 second long videos opening at Secret Project Robot in Brooklyn on Wednesday, February 24th, 8-11pm.

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The show’s filmmakers and artists include David Ahuja, Jon Audarson, Michael Bartalos, Spencer Bewle, Rob Bindler, Adam Calvert, Matt Campbell, Manuel Dilone, Paul Eng, Rob Erickson, Jenny Figaroa, Greg Hill, John Hobbs, Guido JimĂ©nez Cruz, Philip Kelly, Raina Kumra, Todd Lamb, Ruth Mamaril, Anthony Marinelli, Ted McGrath, Bill Moulton, Christian Svanes Kolding, Russ Stark, Takako, and David Art Wales.

There will be drinks and music, and videos will be shown throughout the space on four projectors. Sounds like fun and if you go, be sure to say hi to my talented designer friend John Tymkiw who conceived and curated the program.

For those who can’t make the show (like myself), the video collection will eventually be posted to supershortvideo.com. (I’ll post my piece here then too).

Secret Project Robot is at 210 Kent Ave, Brooklyn, NY 11211.
Tel. 917.860.8282.
Directions, hours, and info at secretprojectrobot.org.


Filed under: Process — mbartalos @ 2:39 am

February 19, 2010

First Long View Print Edition in Progress

The Long View Project is retrenching this month with some exciting new works in the pipeline. I’m most recently working on the project’s first print edition, using a stenciling process called pochoir.

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Pochoir is an ancient printmaking technique that attained great popularity in the early 20th century among artists and designers to produce bold designs and patterns in vibrant colors. It requires no printing press and allows for variation in texture, opacity, and color between prints since the medium is applied by hand. Its manual aspect however is time- and labor-intensive, especially with layered and large pochoirs such as these (roughly 24″
x 18″), which accounts for my run of just four copies this time around. Still, I’m making the most of it by printing each on a different colored paper, slightly varying the placement of the stencils, and embellishing each with graphite for a certain degree of uniqueness.

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More information about the tools, paints, and concept behind these prints will follow upon the edition’s completion in a week or two. In the meanwhile, stay tuned for more Long View Project news in the next couple days.


Filed under: Print Editions,Process — mbartalos @ 11:42 pm

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