55 Music Concourse Dr.
Golden Gate Park
San Francisco CA
Regular Hours:


9:30 am – 5:00 pm


11:00 am – 5:00 pm
Members' Hours:


8:30 – 9:30 am


10:00 – 11:00 am

Please note: The Academy will be closing at 3:00 pm on 10/24 (final entry at 2:00 pm). We apologize for any inconvenience.

There are no notifications at this time.

July 9, 2010

Long View Study No. 11 (Syowa)

Currently, 29 of 48 Antarctic Treaty member nations operate research stations on the continent and its nearby islands. Some bases are permanent, some are temporary; some operate year-round and others in summer only. Their programs, capabilities and designs differ, and each lends itself uniquely to international scientific collaboration. I’ll be featuring a variety of these facilities in upcoming posts and artwork, starting with Japan’s Syowa Station:


Syowa (also known as Showa) is located on East Ongul Island in Eastern Antarctica. It is the largest Antarctic science research facility run by the National Institute of Polar Research (NIPR) in Tokyo.

Syowa was established in 1957 and is home to NIPR’s Japanese Antarctic Research Expedition (JARE). The base uses solar power and its research activities include upper atmosphere physics, meteorology, seismology, gravimetry, geodesy and cartography, oceanography, glaciology, geology, geography, terrestrial and marine biology, and medical research.

NIPR and the U.S. Antarctic Program collaborate regularly with a focus on the geosciences and environment. An example is cooperative high-altitude scientific balloon launches at Syowa and Amundsen-Scott Station. By pooling resources and sharing data over Earth observation networks, Japan and the U.S. help each other while allowing worldwide access to information about climate change.

My collage’s chief elements are bits of printed matter I found in Tokyo. The hands are vintage sci-fi, which is how I imagine Japan’s 1957 foray into Antarctica — their first — to have felt. The hands also suggest prosthetic solutions in case of extreme frostbite.

The artwork was contributed to Scott Massey‘s RRR Project featuring art made with and about recycling. His new print publication RRR.002 is in the works as well as an exhibition or two. I’m glad to be part of it!

Filed under: Antarctic Research Facilities,Climate Change,Studies — mbartalos @ 11:39 pm

June 11, 2010

Long View Study No. 10 (Bellingshausen)

Who discovered Antarctica? Any number of early pioneers are credited, depending on how their accounts are interpreted. Here are the all-time top candidates:

The first reported sighting was by Russian Imperial Navy officer Fabian Gottlieb (Thaddeus) von Bellingshausen while commanding the second Russian expedition to circumnavigate the globe. Bellingshausen recorded seeing “ice mountains” on January 28, 1820 in the vicinity of what is now known to be the East Antarctic coastline. However his journals don’t mention that it may be land, and his expedition charts don’t indicate any land.

Two days later in the continent’s northwestern quadrant, British navy captain Edward Bransfield sighted the northernmost point of the Antarctic mainland, named it Trinity Peninsula, and produced the first recorded Antarctic land chart.

The next sighting of the continent was by American sealer Nathaniel Palmer in November 1820 — yet neither he, Bransfield, nor Bellingshausen were first to set foot on the continent. That distinction is claimed by American sealer John Davis who allegedly made the first landing on February 7, 1821 on the Antarctic peninsula’s west coast.

While these early pioneers certainly speculated on having encountered a significant land mass (John Davis’s logbook entry reads: “I think this Southern Land to be a Continent”), the first person to actually know he’d discovered a whole continent was United States Navy commander Charles Wilkes. In 1839-40 Wilkes’ expedition sailed along the edge of the ice pack south of Australia for some 1,500 miles, confirming the existence “of an Antarctic continent west of the Balleny Islands.”


This image depicts Bellingshausen, winner on the timeline if not for best evidence. He’s aboard his flagship, a 600-ton corvette named the VOSTOK (meaning “East”) after which the Russian research station and fascinating subglacial lake are named. The letters VOSTOK are incorporated into the piece and the graphic element on the right edge is Bellingshausen’s stylized Russian initials ФФБ.

The artwork was created with cut paper and graphite and is currently in MOVE, a group show curated by Rich Jacobs at Space 1026 in Philadelphia.

Filed under: Antarctic History and Exploration,Studies — mbartalos @ 10:33 pm

May 10, 2010

Long View Study No. 9 (The AA Five)


“Long View Study #9 (The AA Five)” is the latest study for my Long View Project series whose theme is waste management and recycling in Antarctica.

“AA” refers to Aurora Australis whose covers were fashioned from wooden provision cases in 1908 to create the first book edition ever published in Antarctica. “Five” refers to the five major figures behind this effort: Ernest Shackleton who edited the edition, illustrator George Marsten, printers Frank Wild and Ernest Joyce, and Bernard Day who bound the books. AA’s production marks an early instance of recycling on the continent and exemplifies the resourcefulness and creativity inherent to Antarctic scientific and artistic endeavors today.

The imagery draws from my 2009 visit to Shackleton’s hut where the edition was created over winter a century earlier. Shackleton devised the project to ensure that “the spectre know as ‘polar ennui’ never made its appearance,” as he put it.

I’m using found wood, paper, wire, hardware, and a leaf to reference the explorers’ workspace environment, their team efforts, and their fondness for tobacco. References to their fondness for whiskey to follow in future artworks.

The piece measures 7″ wide x 12″ high and is currently on exhibit in REFRAME: Making Sense of Waste at ARC Gallery in San Francisco through May 30.

Filed under: Aurora Australis Book,Studies — mbartalos @ 11:25 pm

May 5, 2010

Long View Study No. 8 (Plan 1)

Spring greetings from San Francisco! I’m back from abroad and excited to see my Extreme Mammals graphics on display at the museum and its retail spaces. Enjoy the EM show and my images, up through September 12.

In Long View Project news: I have three new Antarctic-related works to share this week. Today’s featured piece is “LV Study No. 8 (Plan 1),” inspired by Lake Vostok, a body of water situated 4,000 meters (13,000 feet) beneath Russia’s Vostok Station at the center of the East Antarctic Ice Sheet. This largest of Antarctica’s subglacial lakes was revealed by airborne ice-penetrating radar imagery in 1973, and preliminary ice-core drilling suggests that its depths harbor microbes that evolved uniquely to survive the most oxygen-rich natural lake environment on Earth.

The challenge to scientists is not in reaching these depths, but in probing the lake without contaminating its ecosystems. Presently, ice core drills are stopped 100 meters (300 feet) short of reaching liquid water to prevent the apparatus’s anti-freeze compound of freon and aviation fuel from tainting it. Russian scientists are reportedly devising a solution to safely access the water by next year.

I’ve referenced Lake Vostok in previous artworks, but the environmental issues related to the research are particularly relevant to the Long View Project. I’m curious to learn about the technology being developed for this specific mission; its eventual implementation; its ultimate dependability. Will it be fabulously successful in the long term, or might supposed safeguards fail with disastrous consequences? (And who isn’t asking such questions in the wake of the Gulf of Mexico oil spill disaster?)


My artwork, subtitled Plan 1 (план 1), imagines the inception of the Vostok exploration project by Russian researchers. This schematic would have served to indicate their position relative to the recently-discovered lake beneath their station. Depth (глубина) and active life forms are speculated upon, and a lake bed research base is proposed. Exact coordinates and reliability of mail service yet unknown (неизвестный).

I’m fascinated by the notion of science fiction eventually giving way to science fact, and I enjoy following exploratory endeavors as technology progresses. Perhaps that’s why I find the Lake Vostok project continually engaging and return to it for inspiration and perspec-
tive time and again.

Long View Study No. 8 (Plan 1) measures 8.25″ x 10.25″ and was created with cut found paper, graphite, and a Russian postage stamp. The piece will be on view and available at Space Odyssey: Southern Exposure’s Annual Fundraiser and Art Auction this Saturday evening, May 6 at SoEx, 3030 20th Street in San Francisco. Hope to see you there!

Filed under: Antarctic Research Facilities,Environment,Studies — mbartalos @ 1:56 am

October 11, 2009

Long View Study No. 6-7

This diptych pays homage to Antarctic explorer Sir Tannatt William Edgeworth David, director of scientific staff on Shackleton’s 1907-09 Nimrod Expedition. On that voyage, David led the first parties ever to reach the South Magnetic Pole and the summit of Mt. Erebus, the world’s southernmost active volcano.

He was also a participant in the Nimrod crew’s production of the book Aurora Australis.
His 35-page narrative account titled The Ascent of Mount Erebus is the edition’s single lengthiest contribution.


My artwork’s left side references David’s lifelong engagement with geological investigations. The right-hand panel’s images represent his alma mater New College Oxford, his ascent of Mt. Erebus, his epic voyage to the ice plateau and back, and his professorship at the University of Sydney till age 82.

In 1920 David was created a Knight Commander of the Order of the British Empire,
and later helped set up the Australian National Research Council and served as its first President. Clearly his accomplishments — and these are just the ‘tip of the iceberg’ so to speak — are too numerous to fit into a mere diptych so I’ll be paying additional respects
in my final 12″ square panels.

This study measures 16″ wide x 9″ high. It was created in graphite and cut paper (using mostly found and recycled stock as usual) mounted on gessoed wood panels. It can be seen along with LV Study #5 at CUTTERS: An Exhibition of International Collage curated by James Gallagher at Cinders Gallery in Brooklyn from October 16 through November 15.

Photo © Australian Antarctic Division 2008
Photo © Australian Antarctic Division 2008

Lastly, I can’t close out this post without including David’s iconic self-portrait of himself (center) and his teammates Dr. Alistair Mackay (left) and Douglas Mawson raising the flag at the Magnetic South Pole on January 16, 1909. Their epic trek took over four months and 1,200 miles to complete. A thorough account of this journey replete with perils and close calls can be found in the Nimrod chapter of the Shackleton story here.

Filed under: Antarctic History and Exploration,Studies — mbartalos @ 10:43 pm

October 10, 2009

Long View Study #5

Back in March I posted a sketchbook page of imagined Antarctic life forms. Here’s a new generation of undiscovered microorganisms with added whimsy. They remind me of the inadvertently comical Myxosporea I found in an otherwise serious Crary Library book
here, fourth image down.


This study was created in graphite and cut paper (using mostly found and recycled stock
in keeping with the project’s theme) mounted on a gessoed 8″ x 8″ x 2″ wood panel.

I’m happy to announce its inclusion in CUTTERS: An Exhibition of International Collage curated by James Gallagher, opening Friday October 16 at Cinders Gallery in Brooklyn.

Filed under: Studies — mbartalos @ 1:22 am

August 13, 2009

Long View Studies 3 & 4


These two compositions allude to a time when open burning of garbage was common in Antarctica. The practice lasted well into the 1980s alongside proliferating dumps, sea-bound sewage, contaminant fuel and lubricant spills, and casual littering (providing for most of the found items showcased on this site).

1988, however, marked a turning point in attitudes to waste disposal on the Ice. Extensive clean-up efforts initiated at McMurdo Station led to the removal and return of major trash dumps to the U.S., to the prohibition of shoreline dumping, and to the enforcement of new sewage and grey water discharge protocols. Incineration and hazmat handling were also rethought and refined with environmental awareness in mind.

By 1998, the Protocol on Environmental Protection to the Antarctic Treaty (also known as the Madrid Protocol) was ratified by all countries operating in Antarctica, expressing a joint commitment to protecting the continent’s natural resources. It specifies that newly generated waste be routinely removed from Antarctica and that waste from previous decades be dealt with as well. The clean-up of that earlier waste has proven to be the greater challenge, which I’ll speak of tomorrow.

Both these artworks are small, about 2.75″ square, created in cut paper, graphite and gesso on bark paper. Study #4 was recently featured in the Dime Bag 3 exhibit at Giant Robot New York. More on the show here and a flickr set here.

Filed under: Environment,Studies — mbartalos @ 10:52 pm

June 27, 2009

Long View Study #2


This is my second Long View study outside the sketchbook. It takes Antarctica’s round-
the-clock summer daylight (and its disorienting effects) as its theme.

Like the first study, it was created in cut paper and graphite on paper mounted on a
5″ x 5″ x 1.5″ wood panel.

I’ll be returning to this ‘comic panels’ motif throughout the project. I’ve been wanting
to explore it further since creating my Comics Code piece last year, and the approach
seems suited to the Long View’s sequential nature.

Filed under: Studies — mbartalos @ 10:08 pm

May 30, 2009

Long View Study #1


This is my first study for the Long View Project outside of the sketchbook. It’s a
prototype of sorts for the flatter of the one hundred panels that will comprise the
final series. Studies with more relief are also in the works.

The imagery here alludes to science and waste management at McMurdo, described
by the iconic pipe and sphere configurations common throughout town. It was created
in cut paper and graphite on paper mounted on a 5″ x 5″ x 1.5″ wood panel, indicat-
ing the square format of the final art panels to come.

This piece will be on view and available at Southern Exposure’s Annual Fundraiser
and Art Auction this Saturday evening, June 6 at Electric Works, San Francisco.

Speaking of events, I’m also excited about attending this Thursday’s CalAcademy
NightLife presentation by David de Rothschild where he’ll talk about his fascinating
Plastiki project and upcoming expedition. Hope to see you there!

Filed under: Studies — mbartalos @ 11:37 pm
« Previous Page

Academy Blogroll