UKRAINIAN
PYSANKY
with Joan Bridges
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| Description:
Artist Joan Bridges will demonstrate and talk about the Ukrainian
art of pysanky, or egg decorating, using a wax-resist technique
similar to batik. This art dates to pre-Christian times, when
the egg, symbolizing fertility and spring's renewal of life, was
brightly decorated for festivals honoring the sun. |
Program
Date: March 14, 1998
Program Notes: Almudena Ortiz
& Joan Bridges;
updated for the Web by Jennifer
Michael
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1998
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| About
the Artist
Joan
Bridges' heritage is Byzantine Catholic (Rusyn). As a
result, she follows the Gregorian Calendar for religious holidays
rather than the Roman Calendar, which means that Christmas and
Easter are celebrated two weeks after the dates of the western
celebration. In Joan's view, the separation of the holidays
gave strength to the religious observances in her family.
When
Joan was about six years old, she began to help in the preparation
of pysanky and the paska basket. Soon after, her mother gave
Joan a more elaborate kistka and dyes. Today modern technology
has stepped into the tradition: Joan now uses an electric kistka,
which she finds much easier to work with.
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Program
Notes
The
Ukrainian art of egg decorating known as pysanky pre-dates
the Christian era. It was thought in ancient times that the universe
had suddenly burst forth into life, so eggs—which also explode
suddenly to life after a period of dormancy—came to symbolize
the birth of life out of quietude. More specifically, eggs meant
fertility, as well as the spring renewal of life after the chill
and dark of a barren winter. Because of these associations, eggs
often figured in pre-Christian rites of spring, when they were
colorfully decorated to mark and honor nature’s rebirth. |
As
symbols of fertility, eggs also had various magical uses. For example,
a woman wishing to conceive might be given an egg decorated with the
image of a chicken—a fertile animal (notice the redundancy of the symbolism)—in
hopes that she, too, would become fertile. In another custom, farmers
would roll an egg in green oats and then bury it in the fields, thereby
ensuring a bountiful crop. A bowl of decorated eggs kept in the home
was thought to protect against fire and evil spirits, to aid in times
of famine, and to ensure the health and well-being of the family.
When
Christianity was introduced to the Ukraine in 988 CE, traditional egg
designs were given Christian meanings. For example, triangles—which
originally signified the three elements of air, fire and water—came
to represent the Trinity or, in other versions, earth, heaven, and hell.
Similarly, crisscross patterns came to represent a net, because Christians
are said to be "fishers of men," and a line encircling the egg now symbolizes
eternal life. Other typical images include fish (symbolizing Christianity);
red dots (tears shed for her son by the Virgin Mary); flowers (love,
charity); wheat (health, prosperity), deer and horses (health, wealth,
prosperity); sun and stars (growth); and crosses (the Resurrection).
Pysanky artists today may employ traditional images and as well as new
designs.
Ukrainians
prepare two kinds of colored eggs: the kraskanka, a boiled edible
egg dyed a single brilliant color, and the pysanky, multicolored
eggs which are intended as ornaments and made to be kept indefinitely.
Any sort of egg may be used for pysanky; its smooth and symmetrical
shape lends itself well to the beautiful patterns that have been developed
over the centuries in the Ukraine.
To
prepare pysanky, you must begin by blowing out the egg’s contents,
leaving only the hollow shell. The dyeing technique uses a wax-resist
method, similar to batik. First a design is “written” onto the
eggshell with melted beeswax using a special stylus called a kistka.
(Note that the word “pysanky” comes from the Ukrainian verb pysaty,
meaning “to write.”) The kistka consists of a small metal funnel
attached to a handle. A sliver of beeswax is placed into the funnel
and heated over a burning candle; the melted wax is then used
to write onto the egg.
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Once
decorated with a beeswax design, the egg is dipped into a dye
bath. After it dries, additional portions of the egg are waxed
over; this preserves the initial color during the subsequent dye
bath. This process of waxing and dyeing is repeated using a series
of progressively darker dye baths—ending with dark blue or black—until
an intricate pattern is built up. Finally, the wax design is melted
over a candle and rubbed off; a coat of varnish adds the finishing
touch. A single egg might take four hours to decorate through
this method.
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A
variety of plants and vegetables were traditionally used in creating
the egg dyes for pysanky. Yellow came from the bark of the wild
apple, from onion skins, buckwheat husks, campion, and lilac flowers
or dog's fennel. Red was made from cochineal or deer horn. Green
was obtained from a concoction of sunflower seeds and wild elderberries.
Nowadays, artists may choose traditional dyes, store-bought dyes
which are non-toxic, or inedible art dyes.
Ukrainians
still exchange pysanky with friends and relatives on Easter
morning. As part of this tradition, the day before Easter, a
basket is prepared with paska, a round loaf of special
bread decorated with a braided cross. The basket also contains
ham, salt, pepper, cheese, horseradish, butter and eggs—both
decorated and undecorated. The basket is taken to church on
Easter Sunday where it is blessed. The food was meant to feed
everyone in the house for three days.
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