PAINTED
GOURDS
with David Snooks
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For
nearly a decade, artist David Snooks has been meticulously
painting and beading gourds into one-of-a-kind works of
art. He is from a traditional Washoe
family, and his gourd designs are inspired by the baskets
made by his mother and grandmother. But in contrast to
the traditional practice, in which a basketmaker would
ask permission to use an elder’s design and then faithfully
reproduce it time after time, Snooks’ pieces are innovative
and unique. Come meet the artist and examine his decorated
gourds—and the baskets that inspired them. This is
a special program in honor of Native American Heritage
Month.
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Program
Date: December 1, 2001
Program Notes: David Snooks;
adapted for the web by Jennifer
Michael
Photographs: Jennifer Michael
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Program
Photos
David Snooks'
beautiful gourds marry the old and the new, the traditional and the
contemporary. The medium is his own, but he uses many traditional motifs,
drawing inspiration from Washoe basket designs.
"When I first started painting gourds," David notes, "I wanted to paint
and reproduce on my gourds the traditional designs of [my mother's]
baskets, but tradition requires that I first seek and receive permission
from the family. Then, the design itself is a spiritual reproduction
of the basket design, in respect for the elders who first made the basket.
I pride myself in making a one-of-a-kind piece, so I altered the geometric
designs to evolve my own interpretation of the original baskets."
Beadwork
is not part of the Washoe repertoire of traditional crafts, but David
has skillfully incorporated this material into his gourds, each of which
is an original. A careful balance of theme and style is worked onto
the surface of each piece. The graphic image may be repeated, but the
skillful application of the geometric designs and beadwork are always
unique, with the size and shape of the individual gourd guiding the
artist's hand.
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ABOUT
THE ARTIST
David
Snooks is a Native American of Washoe
descent. He grew up in the Sierra Nevada foothills near Jackson,
California, fifty miles east of Sacramento. After college and
a stint as a Pan American flight attendant, he returned to Jackson
to pursue archaeological work. David later became an interpreter
for the Park Service at the State Indian Museum, before deciding
to focus on his artistic endeavors.
David
attributes his artistic talents to his parents: his father had
a gift for producing images from original drawings, and his
mother, Juanita Snooks, was an accomplished basket maker, as
were her mother and grandmother. Juanita specialized in making
traditional cradle boards from willow (in photo, below).
Although David has no formal art training, the influence of
his parents and culture are reflected in his work. Traditional
colors, themes, designs and materials characterize his art,
but he often playfully incorporates modern and non-traditional
images, as well.
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| ABOUT
THE WASHOE (excerpted from a flyer created by the Lake
Tahoe Basin Management Unit of the United States Forest Service)
Before
Contact Lake Tahoe and approximately 10,000 square
miles of land surrounding the lake were once home to and the
responsibility of the Washoe (Washo) Indians. Washoe existence
at the lake centered around fishing camps and milling sites
located in lush meadows within view of the lake and along permanent
streams.
By comparing
the similarity of artifacts found at archaeological sites, archaeologists
track Washoe lifeways back about two thousand years. Linguists
think Washoe origins are earlier than any other Sierran or Great
Basin Indian culture. The Washoe language is unique and unrelated
to those spoken by neighboring tribes. Washoe tradition indicates
that their homeland has always included Lake Tahoe and makes
no reference to migrations from other worlds, as is common in
other cultures. The Washoe were first to name Lake Tahoe simply
“the Lake,” just as locals do today. Da ow ga, the Washoe
word for “lake” is thought to be the source for the name “Tahoe.”
All other lakes in the Washoe language include a descriptor:
the Washoe name for the Pacific Ocean, for instance, is da
ow ga shemu, meaning “real lake.”
Contact,
or the Encroachment Lake Tahoe, like the rest
of the American West, was once the territory of native people—“Indians,”
as Columbus named them. Discoveries of gold and silver attracted
overwhelming numbers of immigrants from around the world. At
Lake Tahoe, it was the 1859 Comstock silver strike in Virginia
City that transformed the landscape into a frontier for massive
resource extraction. After contact with non-Indian cultures
(or the “encroachment,” as the Washoe describe it) in the mid
1800s, the Washoe endured as a people, many maintaining ties
to Lake Tahoe even after being forced from family camps and
upland resource areas. Families continued to trek to the lake
each spring, gathering seeds and medicinal roots, making baskets,
speaking their language, raising their children, and working
as domestics, laborers, and game guides for the resorts. They
maintained remnants of their lifeways and cultural traditions,
even as their leaders struggled for political and social reforms
and requested land and protection for their resources.
“Encroachment”
is the legal term the federal government used to describe the
process by which the Washoe gradually lost their territory:
“The evidence shows that from 1848 to 1863 the area was overrun
by miners, settlers and others with the approval, encouragement
and support of the United States government. Encroachment continued
with increasing intensity until by December 31, 1862, the tribe
had lost all of its lands.”
Today
Approximately 1500 enrolled members of the Washoe Tribe of Nevada
and California live on “Colonies,” tribal lands scattered in
the Reno, Carson Valley, and Gardnerville areas of Nevada and
in Woodfords, California. Tribal headquarters are in Gardnerville
and Stewart Indian School An active tribal government continues
to lobby for a land base in the Lake Tahoe basin and works with
federal and state agencies and private land owners to protect
locations important to Washoe Heritage.
During
a recent visit to Lam Watah, a cultural site where Washoe people
once lived, one tribal Elder stated:
Yes,
[the lake] was a sacred place. It is to us yet, even though
it is so different today from what it was in our people’s time,
before the white people came. It is hard to see what is happening
to it, the surrounding area. The land is valuable, and not just
in monetary value, but it was our land and we love it. We were
taught to respect everything from the land… So it is very precious
to us still… we were the first people to take care of the land
and all the plants and things that grow. And it feels good to
come up here and see these things and to walk around and remember…
and hopefully the people who are here now will have respect
and take care of the area…
For
more information:
Nevers,
Jo Ann. Wa She Shu: A Washo Tribal History. Inter-Tribal
Council of Nevada, 1974.
D’Azevedo,
Warren L. “The Washoe” IN Handbook of North American Indians,
vol. 11. Smithsonian Press, 1986.
Danberg,
Grace. Washo Tales: Three Original Washo Indian Legends.
Nevada State Museum Occasional Paper no. 1, 1968.
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