This page gives titles and brief descriptions of public programs presented during 2003 by the 

TRADITIONAL ARTS PROGRAM
Department of Anthropology

California Academy of Sciences

San Francisco, CA



2003 PROGRAMS:

The Mountain Dulcimer

Tibetan Sand Mandala

Hula in the Ancient Hawaiian Style

Music from Tonga

Animal Tales from the African Diaspora

West African Folk Music

Tongan Traditional Dance

The American Tradition of  Ragtime

Japanese Woodblock Printing

German Folk Songs

Tales from the Rainforest

The American Tradition of Belly Dance

Sculptured Waxwork Candles

Andean Village Music

Hawaiian Kapa

The Magic of Chinese Music

A Social History of Juggling

Oral Improvisation Workshop

Chinese Dance

Caribbean Rhythms

Magic Show and Workshop

Welsh Wheat Weaving Workshop

Mandolin Orchestra Concert

Songs of the California Coast

Ragtime Music (Reprise)

Japanese Comic Theater

Armenian Traditional Dance

Musical Traditions of Tibet

English Morris Dancing

Street-Corner Gospel Songs

Italian Bistro Music

A Glimpse Into Maasai Culture

Tule Reed Crafts in Native California

Annual Holiday Concert

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    The Mountain Dulcimer: Stories and Songs
    Musician and storyteller Richard Standard discusses the history of the lap or mountain dulcimer and shares traditional dulcimer tunes as well as tales. (January 11, 2003)
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    Tibetan Sand Mandala
    The Department of Anthropology was pleased to host a visit to San Francisco by a group of Tibetan Buddhist monks from the Tashi Lhunpo monastery, now situated in southern India. Seven monks created a sand mandala on the floor in Cowell Hall. Colored sand or powder was painstakingly laid in place to form geometric Buddhist designs. The design they have chosen for the Academy is called Amitayus, which means "Deity of Long Life." 

    This is the monks' first visit to the United States and they are very excited about coming to San Francisco. Their tour is supported by His Holiness the Dalai Lama. For more information on the monks and their monastery, see their website at: tashilhunpo.org. (January 16-19, 2003)

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    Hula in the Ancient Hawaiian Style
    In its classical form, the hula is a narrative dance style; the hand gestures and body movements accompany and illustrate the meanings of epic chants (mele)-sung poetry that tells a story. Early Hawaiians had no written language, so history and cultural knowledge were passed on orally. Chants, which were memorized, recorded thousands of years of Polynesian history and genealogies. Whenever a mele was performed, the hula visibly interpreted the story of the chant through hand, hip, and foot movements. In this presentation, Misao Mizuno leads a troupe of dancers in demonstrating the ancient form and history of the hula. The program also includes a workshop segment, in which audience members may learn basic hula steps or try their hands at the ipu heke, the gourd drum that accompanies the chant. (January 18, 2003)
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    Music from Tonga
    Musicians from the Heilala o Tonga Group bring us a concert of music in the Tongan tradition. Singing in strong harmony to the accompaniment of various instruments--ukulele, guitar, banjo, bass, handmade drums (empty cans or oil drums to which is lashed a cowhide drumhead), and lali (a percussion instrument made of bamboo)--the musicians perform songs that tell of love won and lost, Tonga's island landscape and its royal family, human relationships, and everyday activities, like fishing. (January 25, 2003)

    ANOTHER PROGRAM ON TONGAN CULTURE
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    Animal Tales from the 
    African Diaspora
    Poet and storyteller Tureeda Mikell brings us a selection of traditional stories from both African and African American tradition. This is a special program in honor of Black History Month. (February 8, 2003)
    CONTACT THE ARTIST | ANOTHER PROGRAM BY TUREEDA MIKELL
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    West African Folk Music
    Soji Odukogbe, from Nigeria, presents a program of traditional music from West Africa. He accompanies himself on the acoustic guitar and the talking drum. Soji is well-known in the Bay Area African music scene; he performs with The West African Highlife Band, The Nigerian Brothers, and Kotoja. This is a special program in honor of Black History Month. (February 15, 2003)
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    Tongan Traditional Dance
    The dances of Tonga, like those of much of Polynesia, focus attention on the hands and feet. But each region has its own unique postures and styles of movement, as this program demonstrates. Dancers from the Heilala o Tonga Group perform a series of traditional dances from this island nation. These dances may include the ma'ulu'ulu (sitting dance), the lakalaka, which tells a story through hand movements, the ta'olunga (young women's dance), the kailao (men's war club dance), the soke, which is performed with long and short sticks, and others. The program will feature live music and discussion of the dancers' traditional costumes and the significance of the dances. (February 22, 2003)
    ANOTHER PROGRAM ON TONGAN CULTURE
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    The American Tradition of Ragtime
    David Reffkin directs The American Ragtime Ensemble in a program of popular dance hall and theater music from the turn of the last century. Using original ragtime orchestrations from Reffkin's large collection, the group performs lively and engaging selections from this musical repertoire. Ragtime is arguably the first truly American form of music, predating jazz. This presentation will include discussion of important ragtime composers, the emerging music business, and the world of vaudeville and commercial entertainment. (March 1, 2003)
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    Japanese Woodblock Printing
    Artist Marco Flavio Marinucci demonstrates the process of making woodblock prints in the traditional Japanese style. He handles all  aspects of the complex process himself, from interviewing and photographing his subject, carving the wood blocks, and making the colorful inks, to the actual printing onto mulberry paper. (March 8, 2003)
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    German Folk Songs
    Barb Kronau-Sorenson, on tour in the Bay Area from Chicago, performs a selection of songs from German tradition. Her repertoire includes lullabies, yodeling, and other lively tunes. (March 15, 2003)
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    Tales from the Rainforest
    Ruth Halpern has been collecting and telling stories around the world for more than twenty years. In this program, she shares traditional tales from various peoples living in the world's rainforests. "What I love most about the rainforest is the layers of sounds and smells there," Ruth says. One of her stories, which she collected in the rainforests of Guatemala and Belize, "is about a monstrous creature called a "Cincimite" who looks like an enormous, hairy human-until you notice that its feet are on backwards." This is a special program in honor of Earth Day. (April 5, 2003)
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    The American Tradition of Belly Dance
    Dancers from Zambalita present an overview of belly dancing as it has evolved in the American context. In the United States, what were once separate traditions from North Africa and the Middle East have merged into a hybrid style-a sort of melting pot of immigrant traditions. This performance will include tribal and cabaret styles, as well as sword and veil dances. (April 19, 2003)
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    Sculptured Waxwork Candles
    Jun Tiburcio, visiting the Bay Area from the Mexican state of Veracruz, is an artist of Totonac origin. Marrying traditional forms of expression with a personal vision, Jun's creations in language, clay, wax, wood, palm and fibers speak of his land, nature, his people, and the legacy of their ancestors. In this program, Jun demonstrates one of his many forms of artistic expression by crafting sculpted wax candles studded with red and black seeds. The burning of these creations reminds us of both the beauty and the evanescence of all things. Examples of Jun's work in clay, wood, embroidery, and other media will also be on display. (May 3, 2003)
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    Andean Village Music
    Feather pipes, bone flutes, a trumpet ten feet long, and a harp played upside-down: these are some of the instruments featured in this performance by Edmond Badoux and Francy Vidal, who together form Duo Chaskinakuy. For more than thirty years, they have been researching the musical traditions of the mountain regions of Ecuador, Peru, and Bolivia. This concert features the village music of the Andean highlands played on a wide selection of instruments, many of which were crafted by Mr. Badoux. (May 10, 2003)
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    Hawaiian Kapa
    The beating of barkpreferably the inner bark of the wauke (paper mulberry tree)into a fine cloth is an ancient art in Hawaii, as in other parts of Polynesia. The Hawaiian version of this beaten cloth, known as kapa, is distinctive for the use of handmade wooden mallets that serve to emboss or "watermark" a decorative pattern into the fabric. In this program, members of Kuku I Ka Pono (The Kapa Project) will discuss and demonstrate this traditional art. This is a special program in honor of Asian Pacific Heritage Month. (May 17, 2003)
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    The Magic of Chinese Music
    Betty Anne Siu Junn Wong brings a group of Chinese musicians to the Academy for this special program. The concert includes dance and vocal solos from Kunqu opera (see photo), solo and ensemble performances on the yueqin (Chinese moon guitar), jinghu (opera fiddle), yangqin (butterfly dulcimer), guzheng (ancient lap zither), and other instruments. In addition to Betty herself, performers include visitors from Chinaincluding the Hou sisters and a soloist from Shenyangalong with members of the San Francisco Community Music Center's Chinese music workshop. This is a special program in honor of Asian Pacific Heritage Month. (May 31, 2003)
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    A Social History of Juggling
    In honor of World Juggling Day, jugglers Andrew Conway and Tim Furst (formerly of The Flying Karamazov Brothers) discuss the social contexts surrounding the traditional art of juggling. Their presentation will be illustrated with lively demonstrations of various styles of juggling and the use of such diverse props as clubs, balls, rings, devilsticks, diabolos, and cigar boxes. (June 14, 2003)
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    Oral Improvisation Workshop
    Improvisation—the art of on-the-spot creation—is central to the oral traditions of many societies. In Eastern Europe, Central and Southeast Asia, Africa and other parts of the world, the verbal dexterity required to compose oral verse is a valued skill. Turkish verbal dueling, Greek epic poetry, Hmong courtship songs and--more familiar to American audiences--the African American tradition of rap all exemplify the art of oral improvisation. In this workshop, poet and storyteller Tureeda Mikell offers you the chance to try out your wit and develop your own skills in the creation of oral poetry.  (June 21, 2003)

    CONTACT THE ARTIST | ANOTHER PROGRAM BY TUREEDA MIKELL
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    Chinese Dance
    Diana Ming Chan and the Heritage Dancers perform songs and dances from the folk and classical traditions of China.  (June 28, 2003)
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    Caribbean Rhythms
    Zeke Nealy and his percussion ensemble present a workshop on music from Cuba, Haiti, Trinidad, with a touch of Brazilian flavor. Come try out your skill on the drums, shakers and bells. (July 19, 2003)

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    Magic Show and Workshop
    In many cultures, magic is a serious business through which practitioners attempt to control, manipulate and transform the physical world. In today's modern societies, however, the word more often refers to a performing art featuring sleight of hand and diverse staged routines. In this program, magician Gerardo Martínez demonstrates his skills in the traditional art of illusion. Following his performance, he offers a workshop in magic, including free magic tricks for all participants!  (July 26, 2003)
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    Welsh Wheat Weaving Workshop
    In Wales, the weaving of wheat into delicate sculptures is an ancient tradition deriving from agricultural magic. In this workshop, Jan Southworth will discuss traditional designs, demonstrate plaiting techniques, and teach participants to make a simple wheat weaving from soaked wheat stalks. Space is limited: arrive early to ensure a place. (August 9, 2003
    ) 
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    Mandolin Orchestra Concert
    Mandolin orchestras, a popular phenomenon early in the 20th century, are rare today. The original Aurora Mandolin Orchestra was a San Francisco musical ensemble of the 1920s and 30s. Gino Pellegrini, who played with that group in the 1930s, founded its namesake in 1970 with five players. Today, the new Aurora Mandolin Orchestra numbers around twenty musicians, and the octogenarian Mr. Pellegrini is still at its helm. The group's repertoire focuses on music from the Mediterranean and beyond (Greece, Spain, Italy, Russia) and features tangos, boleros, marches, mazurkas, and other forms. (August 16, 2003
    ) 
     
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      Songs of the California Coast
    Sea chanties (or shanties) are songs traditionally sung by sailors to accompany and set the rhythm for certain kinds of heavy, repetitive work on board ship-raising and trimming the sails, raising the anchor, and working the pumps. But sailors sang other sorts of songs, as well: maritime ballads and forecastle songs (sung during times of relaxation, rather than work) also paint portraits of life at sea and on shore. In this program, Tom Murphey presents traditional maritime songs from California, with a special emphasis on the Gold Rush era. (August 23, 2003
    ) 
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    Ragtime Music (Reprise)
    David Reffkin and The American Ragtime Ensemble return for another program of popular dance hall and theater music from the turn of the last century. This program is part of the Academy's 150th Anniversary Festival weekend. (September 6, 2003
    )
     
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    Japanese Comic Theater
    In Japanese theater tradition, the highly stylized and refined Noh-style plays were often interspersed with Kyogen plays, which provided comic relief. "With its own special humor, Kyogen addresses such worldly concerns as greed, vanity and the pleasures of outwitting someone. Servants get the best of their masters, [and] wives gain the upper hand over their husbands." This performance by Theatre of Yugen, will feature short plays in the comic Kyogen tradition. (September 13, 2003
    )

    PHOTO: Jennifer Michael

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    European Folk Music
    The musicians of Brocelïande offer “a magical, musical blend of Celtic and European folk tunes combined with medieval, renaissance, and baroque sounds.” This talented quartet sings and plays a range of instruments, including Celtic harp, flute, mandolin, melodeon, and viola da gamba. (
    September 20, 2003)
     
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    Songs of the Seafaring Life
    In this program, ex-submariner Tom Lewis, who spent twenty-four years in the British Royal Navy, draws on his nautical experiences to present original songs and maritime lore from the age of the sailing ships. Tom's rich voice is enhanced by the button accordion and ukulele. (September 27, 2003)

    PHOTO: Jennifer Michael

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    Armenian Traditional Dance
    Members of the Karoun Dance Ensemble, under the direction of Carol Kazarian, will perform selections from the folk and classical traditions of Armenian dance. This performance will also feature live music. (October 4, 2003)
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    Musical Traditions of Tibet
    Musician and dancer Tsering Wangmo leads a group of Tibetan performing artists in a sampling of traditional arts from Tibet. Selections may include a scene from Tibetan opera, drinking songs, a foot-stamping dance, as well as repertoire for the lute, fiddle, hammered dulcimer, and other Tibetan folk instruments. (October 18, 2003)
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    English Morris Dancing
    The members of Berkeley Morris present a program of English traditional dances, complete with jingling bells, colorful ribbons, waving handkerchiefs, and lots of energy. (October 25, 2003)

    PHOTO: Jennifer Michael

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    Street-Corner Gospel Songs
    The performers of Bay City Luv first met on the streets, and that is where they still give most of their concerts of gospel and doo-wop music. In this program, the singers will talk about the history of their "street ministry" and sing selections from both gospel and doo-wop repertoires. In addition, filmmaker Sally Gati will present excerpts from her new film about this musical ensemble. (November 8, 2003)

    PHOTO: Jennifer Michael

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    Italian Bistro Music
    The Hot Frittatas are a musical trio: Gus Garelick (violin and mandolin), Dennis Hadley (accordion), and Don Coffin (guitar). They specialize in traditional Italian Ballo Liscio (popular dance music) and have released a CD focusing on this tradition. But their repertoire also includes French café music, klezmer, Latin American tango and choro music, as well as Cajun and zydeco. Come enjoy a concert of toe-tapping selections from this Bay Area band!
    (November 15, 2003)

    PHOTO: Jennifer Michael

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    A Glimpse Into Maasai Culture
    The Maasai people of East Africa live on semi-arid and arid lands in southern Kenya and northern Tanzania. Their economy and diet are based on livestock--cattle, coats and sheep--but maintaining their semi-nomadic lifestyle in their traditional homeland has grown increasingly difficult in the face of government interference and incursion. Still, Maasai cultural traditions remain rich, as you will learn during this presentation by Elistan Ole Supeyo. Mr. Supeyo will discuss Maasai traditional life, show examples of Maasai material culture (including beadwork), and tell traditional Maasai stories. (November 22, 2003)

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    Tule Reed Crafts in Native California
    Visiting the Bay Area from the Yosemite Park Museum, Kimberly
    Cunningham-Summerfield demonstrates the many uses of tule reeds by California Indians, including baskets, duck decoys, and mats. This is a special program in honor of Native American Heritage Month. (December 6, 2003)

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    Annual Holiday Concert
    Members of the Deutscher Musik Verein brass band return to the Academy for their annual concert of Christmas music from around the world. Get in the holiday spirit and join us in celebrating the joyous sounds of the season. (December 13, 2003)
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