In May 2003, June Anderson and Dr. Jenny Michael visited the Boruca Indians in the southwest of Costa Rica. With a current population of about 2000, the Boruca Indigenous Reserve is situated in the Pacific coastal mountains in the province of Puntarenas and straddles the Terraba River. There are two main villages - Rey Curre and Boruca, the latter situated in a lush, tropical valley. The area is remote, with almost inaccessible roads. The Boruca practice subsistence farming, and the only cash influx comes from the sale of their folk art.

The Boruca are the only indigenous people in Costa Rica that still maintain their Pre-Columbian weaving techniques. They cultivate two types of cotton - the native white cotton and a light brown cotton called tecolote. They remove the cotton seeds by hand and spin thread using the drop spindle. The Boruca have retained their knowledge of natural dyes, and the women weave on a backstrap loom. In the past, women wove their traditional striped skirts (mantas) and mens' belts, but by the 1940s Boruca women were wearing Western-style clothing. Today they weave small bags in simple striped patterns.

The Boruca are also known for their carved balsa wood masks and their hand-carved gourds which function as decorative household utensils. Nowadays, these folk art items, as well as the textiles, are produced for the tourist market, and designs have become more elaborate and innovative.


Researchers: June Anderson and Jenny Michael
Photographs: All photographs are by June Anderson.

The village of Boruca nestles in the mountains of the Pacific coastal range.
Traditional house with walls of thin sticks of wild cane or palo de mayo (May tree, Vochysia hondurensis) and roof thatched with savanna grass.
The bark of the nance tree (Byrsonima crassifolia) is boiled to extract a beige dye.
Ethnobotanist Dr. Luis Gomez identifies teak (tectona grandis) as a source of red dye.
Seeds of the janaipa fruit produce a black dye. Black dye is also obtained from the bark of the cabonero tree (Guarea guara).
Traditional palette of colors:
Green comes from a variety of leaves.
Light blue from a narrow-leaf indigo (Indigofera suffruticosa).
Blue from leaves of sacatinta (Justicia tinctoria).
Orange from achiote.
Yellow from yuquilla (Curcuma longa).
The drop spindle is made from a rod carved from pejibaye palm (Guilielma utilis) with a whorl of cow bone.
Preparing the warp. The pattern of colored stripes is planned and laid out on the warp frame, to produce a warp-faced weave.
Marina Lazaro Morales weaves on a backstrap loom; the wooden parts are fashioned from the pejibaye palm.
Today the Boruca weave belts and small bags.
The weaving stitch in the central green stripe is called pecho de pavo (turkey breast). The surrounding stripes are woven in the stitch called xixchane. Plain weave is called corriente.
Bag woven with undyed brown tecoloet cotton (gossypium peruvianum). The prized purple dye is obtained from the secretion of mollusks called surimes (purpura patula variety pansa) which they harvest from rocks along the Pacific shore.
Traditional Boruca masks, carved by the men from balsa wood (Ochroma Lagopus), are unpainted and used during the December 31st celebration called La Danza de los Diablitos.
Elaborately painted masks are made for the tourist trade.
Cruz Ortiz carves gourds from the calabash tree (Crescentia Cujete). The round gourd is called guacal and the oval gourd is called jicara.
Decorative gourds are used for many household items, including water carriers with stoppers, and feature designs of plants and animals.

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